ZHONG CHENG

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New York was flourished with dynamic art in the eighties that stimulated Yang Chi-Hung aesthetic creativity when he lived there. However, the artist’s free and profound brushstrokes; that hold associations with the deep inspiration of life and exploration between nature and humanity, is intimately connected to the far Eastern essence. American critique Eiberg once remark Yang Chi-Hung’s paintings stating, “Yang Chi-Hung represents direct thoughts towards nature. The thoughts observe the natural and spiritual interactions among the world. He communicates a physically powerful and lively aesthetic language, carrying strong observation skills, broadening the possibility of visual contemplation and interpretations.”